Dum maro dum song zeenat aman
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Her name was Jasbir but everyone knew her as Janice. She met him at his hotel and told her story: She had left Canada after her immigrant parents had divorced and had joined a group of hippies, eventually finding her way to the eastern Shangri-La.
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Among them was one solitary brown face, a young girl who intrigued the actor enough for him to make enquiries. Sidharth Bhatia, author of Cinema Modern: The Navketan Story (2011) writes, “During one of his periodic visits to Kathmandu, Anand was taken to a hippie commune where he saw groups of unwashed, underdressed young men and women, all of them white, passing around chillums and swaying to the music. ‘ Hare Rama, Hare Krishna’ was based on the Hippie Trail in Kathmandu, Nepal, the overland journey taken by members of the hippie subculture from the mid-1950s to late 1970s from Europe to South Asia. The queen of all things bold was certainly Zeenat Aman and if there’s one song that could be said to have captured the zeitgeist of the era, it won’t be any other than ‘ Dum Maro Dum’ from Dev Anand’s 1971 hit ‘ Hare Rama, Hare Krishna’.
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However, the 1970s stand out for how far Bollywood experimentation was taken during this decade. Retro Bollywood is usually only associated with flowery romance or hyper melodrama.